While we sometimes feel that young audiences are neglected, Radio-Canada is back this holiday season by offering young people (and adults!) The wonderful world of Disney.
The American television classic, which also delighted young Quebecers from the 1960s to the 1980s, including on Radio-Canada, returns to the local airwaves with its films and cartoons every day from December 21 to January 1. Young children will enjoy 18 feature films from the Disney franchise, including some prime-time French-language premieres, such as Snow Queen, Maleficent And Monster Universityfrom Tuesday, December 27th to Thursday, December 29th, at 19:30.
However, there will be a first taste this Saturday, December 10, at 1 p.m., with 102 DalmatiansA meeting will also be offered on January 8th.
Then, from January 10, The wonderful world of Disney will be broadcast once a week on Sundays at 3 p.m. on Radio-Canada, as part of a multi-year agreement to acquire the film broadcasting rights with the Walt Disney Studios. There will be alternating current or old safe values, we are only thinking of the timeless Snow White and the Seven Dwarfs, Beauty and the Beast And Aladdin.
Remembering “Toc Toc Toc”
The little ones also have something to offer on Tou.tv during the Christmas holidays. One of their favourites, Monsieur Craquepoutte, from the late show Knock knock knockwill be brought back to life starting Monday, December 12, in around twenty web capsules of one and a half minutes each, which will probably make your children laugh.
The famous character, as eager and grumpy as ever, carries out his tasks there and makes funny mistakes. In sketches, in songs, in monologues, sometimes with the appearance of children, Monsieur Craquepoutte does nothing like the others and wants to prove it once again!
It is always the actor Denis Houle who lends his features to the indescribable postmaster, stationmaster and bell ringer, Monsieur Craquepoutte. The latter also signs the texts of the Tou.tv vignettes in collaboration with Manon Dionne in a production by Hélèna Girard.
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